A relatively new AI-based technology, digital twins have only been around for a few short years but development was expedited as a result of the COVID-19 pandemic. Today the global digital twin market size is projected to reach USD 155.83 billion by 2030
The 41st Canadian Music Week (CMW) kicked off at the Westin Harbour Castle in Toronto last week, with a jam-packed schedule of events and performances. The evenings were filled with some of the brightest new and established Canadian artists, including Charlotte Cardin, Tumble, Fuego, Grace May, Virginia To Vegas, and Badflower. The days were filled with a series of expert panels covering topics from sync licensing to Afrobeats to new release marketing strategies.
In the fast-paced world of the music industry, major record labels are perpetually seeking innovative strategies to outshine the competition. To keep their finger on the pulse, they have turned to the expertise of data specialists in the quest to foresee the future of music.
Universal Music Group has declared war on AI-generated music that it believes has been created using commercial music without a license. The major label has sent emails to music streaming services, asking them to stop giving access to their music catalogue to developers who use it to train AI technology, according to the Financial Times.
The BPI, which represents independent labels and major record companies in the UK, conducted new research on the success of streaming compared to the CD era. The research found that a larger number of artists are successful in the streaming era, compared to the CD era.
Tidal Live is the new name for Tidal’s music-sharing feature, which lets subscribers broadcast their personal stream to their friends in private, invite-only sessions....
