The 41st Canadian Music Week (CMW) kicked off at the Westin Harbour Castle in Toronto last week, with a jam-packed schedule of events and performances. The evenings were filled with some of the brightest new and established Canadian artists, including Charlotte Cardin, Tumble, Fuego, Grace May, Virginia To Vegas, and Badflower. The days were filled with a series of expert panels covering topics from sync licensing to Afrobeats to new release marketing strategies.
Spotify is testing a new playlist option called “Your Offline Mix”. The new function allows users to play tracks even when the Internet connection is choppy or close to non-existent.
Talking to MusicRadar, record producer Giles Martin told about the technicalities of transferring game-changing Beach Boys’ Pet Sounds to Dolby Atmos.
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Finally, Apple has shown to the world their dark horse – a new headset that combines virtual reality space and augmented reality functions. At the opening of the Worldwide Developers Conference on Monday, Apple chief executive Tim Cook introduced the new product which for a while had been the company’s worst-kept secret.
In the battle against deepfake songs, Deezer, the renowned French music streaming service, has pioneered a cutting-edge technology designed to identify and potentially remove cloned tracks featuring the voices of pop stars.
In the fast-paced world of the music industry, major record labels are perpetually seeking innovative strategies to outshine the competition. To keep their finger on the pulse, they have turned to the expertise of data specialists in the quest to foresee the future of music.
The Centre of AI Safety (CAIS) issued a statement on potential risk posed by artificial intelligence. The authors of this online document emphasise the future impact of technology which can be as detrimental as different doom inducing scenarios.
