Wayne Rosso has worked in music and technology for decades. He has worked with such artists as Aerosmith, Bee Gees, Crosby, Stills & Nash, Public Image LTD., Beach Boys, Phillip Glass, Fleetwood Mac, Rick James, New Kids on the Block, Slash, Evanescence and scores of others.
Following on from Paul McGuinness’s speech at the music matters conference in Hong Kong last week where ISPs were likened to “Shoplifters” I would like to... Read more.
Every man and his dog in the mobile and music content sector have been shouting about the iPhone and its ground breaking user interface. I will gladly concur th... Read more.
Hot Flash: New models embracing fan participation prior to the recording of music are working! This report will provide a brief overview of the music seminars o... Read more.
After lecturing a bunch of 14 – 17-year-old teenagers on the future of the music industry last Thursday, I have had to revisit some of the opinions I outlined... Read more.
One afternoon, in the early 1980s, my friend Mitch Easter called up. He was in Winston-Salem at his Drive In studio; I was in my house outside of Chapel Hill wo... Read more.
Literally, every man and his dog within the recorded music business is in a fever pitch talking about how advertising funded models are the way forward. With th... Read more.
In-Brief: On-Device Portals (ODPs), a new generation of client applications that leverage the handset’s capabilities to deliver a more appealing user experien... Read more.
It is heartening to read the recent news that UMG is taking on the dominance of iTunes and attempting to help create a more level playing field in terms of digi... Read more.
Within the digital realm all territories are encountering rampant pirating of music, copyright enforcement is critical to the survival for the recorded music bu... Read more.
With record music increasingly being given away from free and 360 deals becoming the norm, is copyright enforcement critical to the survival for the recorded mu... Read more.